The obligatory “It’s been a long time since I posted last. I promise to write more. I have entries all but written in my brain, I just need to barf them onto the page.” Post

So, yeah. It’s been a while. It’s been a while for a lot of different reasons. All of the usual suspects are involved: work, life, yard work, spending time with the Fetching Mrs. Bixby and the family, etc. etc, blah blah blah. Those are reasons, surely, but they are just the superficial, easy reasons I hang on the one or two big fat monster reasons I have for not writing here very often. Well, spending time with the Fetching Mrs. is a pretty damned good one in it’s own right for the very simple fact that I LIKE spending time with her and when I do there is a very real possibility that sex is involved at some point. Frankly, given the choice between writing here and having sex, well…I’m sure you can understand my position (or positions, as the case may be).

The two main reasons I have for not writing here, the two I generally don’t want to admit to myself that are THE reasons this site lies fallow for a season at a time, are these: 1) I generally don’t think I can write anything in such a way that other people will find interesting, if not downright stupid, and 2) It takes a lot of effort to write.

The first point may or may not be objectively true. It’s something I struggle with a lot because I don’t feel I’m one to judge. The times I do post, I do so because I have a burning desire to get down in words whatever the hell it is that is bugging me at the time and the part of my brain that is my ego develops enough of a backbone to kick the shit out of the part of my brain that is my shyness or self-deprecation or whatever. The fact that I rarely get feedback doesn’t necessarily help. The Fetching Mrs. tells me she loves the way I write, but the self-deprecating part of my brain tells me that she HAS to tell me that, she’s married to me, even though I do like to hear the compliment.

A corollary to this, which feeds to self-deprecating part, is that on some level it’s really scary to put this stuff out there on the Internets for anyone IN THE WORLD to find. The thought of some random stranger in Blue Ball, Pennsylvania (real town, eight miles northeast of Intercourse, Pennsylvania) reading my stuff and not liking it is just too much for Self-deprecating me to handle sometimes. I am aware of how illogical that is, I don’t claim to be a rational being. Unfortunately, that part of my id has such a grip on my creative life that many things I could have done over the years were stillborn. I was so worried that no one would like what I did that I would not do it. Or I would start it but not finish it.

That last part feeds into the second point. I am inherently lazy so, unless I am over the top passionate about something, more often than not, actually doing the work seems too much like WORK and I lose steam and whatever I’m doing is abandoned half-finished. It’s hard to be creative. That fact is lost on most non-creative people…and Rush Limbaugh.

Now, in explaining this second point, I’m necessarily being somewhat superficial and you’ll have to excuse me, but it’s not something that I can really sink my teeth into and pull apart for you to understand. It has a lot to do with focus. Specifically, the concept of hard focus. There have been times when I started to draw or write or whatever and I soon lost myself in the activity. It happened naturally and I didn’t have to force it or concentrate to get into that state, it just happened. Getting into that state was easier when I was younger. I think I took it for granted and didn’t actually PRACTICE getting into that state. So now, NOW when there are so MANY distractions, I struggle to get there and find I don’t have the patience to let myself go and get lost in the act of writing or drawing or nude performance art (just kidding, Sally!).

So, what’s changed? Why am I taking the time now to write an overly long explanation of this? Well, two things (in the literary world, that’s called parallelism, see because I had two points from above and now I have two points…oh never mind). First, this year will be my forty-fifth trip around the sun and I’ve been having an honest-to-goodness mid-life crisis about a lot of things that are in my life and a lot of things that are not, and I don’t want to be on my deathbed bitching about the things that are not, specifically the things I didn’t create, whatever they may be. Second, recently I’ve had several different people tell me they like the way I write, they think I’m pretty good and find me funny (which is good, because for the most part, that’s what I was going for, funny)and they wished that I would write more. A comment from one of these people really made me think about all of this because of who that person was.

I have a Facebook account and have reconnected with a lot of people from my high school and college years, people who I have not seen or spoken to in at least 20 years if not 25. This is familiar to all of you in some form or another, right? One of them is someone from the first high school I went to and who was kind enough to say she liked my writing. What makes this significant to me is that I honestly have a VERY dim memory of her. Her memories of me are stronger than mine are of hers, I think. Yes, I’m sure part of my memory loss is chemically induced, I didn’t party much when I went to that high school. It was a Lutheran high school, after all. No, I did my fair share of better living through chemistry later on in high school after I transferred to El Modena and on through my college years. So from my perspective, she’s a distant acquaintance at best, a stranger at worst, and she took the time to read through the stuff on this site and tell me she likes it and wants me to write more. Her comment to me came out of the blue and was all the more powerful for that. She even had the unmitigated gall to remind me recently that it’s been a while since I’ve posted.

So the timing of her compliment fed into what I was thinking and feeling at the time (mid-life crisis) and added to what my wife and others were saying to me. I’m going to write more, here and other places. Here because it is good practice, other places because just having a blog makes me a blogger and that’s kind of 1990s. I’ll write, post photographs, and possibly sketches, drawings and paintings that I’ve done for all of you to look at and I won’t even care (much) what you think of it. But if you like it, tell me so, if not, well, that’s okay too, but I’d rather you kept that to yourself.

Posted in daily, existential angst, midlife crisis | 1 Comment

Extraordinary Measures

The Fetching Mrs. and I saw Extraordinary Measures this afternoon. This is the true story of a father, John Crowley, played by Brendan Fraser, with two kids stricken with Pompe disease, who goes to extraordinary measures to find a treatment with the help of a brilliant but cranky scientist, Robert Stonehill, played by Harrison Ford. Kids stricken with this disease cannot process glycogen properly and end up with all sorts of problems such as enlarged organs, and die before the age of ten.

At the beginning of the movie, his daughter, who is afflicted, has her 8th birthday. Immediately after, she catches a cold and goes into respiratory failure. She survives but the scare causes Crowley to flip out a bit and he leaves a staff meeting to go to Nebraska, where Stonehill is doing his research at the University. He stalks Stonehill and begs him to see his research. Stonehill tells him he is underfunded so Crowley promises Stonehill 500 large from the Parents of Pompe Kids or some such bogus group he makes up on the spot to keep the brilliant but lacking in any redeeming social skills scientist from telling him to fuck off. Things pretty much progress from there, with the end result an enzyme that helps Pompe kids process glycogen. The movie ends happily with the two Crowley kids, who were able to be the first Sibling drug trial for the enzyme through some yelling by the cranky scientist and some passive aggressive manipulation by Crowley, giggling uncontrollably from their first ever sugar rush, proof the enzyme is helping their bodies process the sugar.

The movie is pretty linear and somewhat emotionally flat. Yes, there was the requisite tearjerker moments, but the movie seemed manufactured, as if the director pulled out all the parts from Tearjerker in a Box kit and assembled them in order according to the instructions. What made it interesting was the fact the movie was filmed in and around Portland.

This is how much of a big dork we Portlanders can be. In the opening scene Brendan is trying to get to his daughter’s birthday party and he misses his train. Look, it’s Pioneer Courthouse Square! Portland’s Living Room! (seriously, they call it that). And he misses a Blue Line MAX! The party is at Big Al’s? I’ve been there! But that’s cheating because everyone knows Big Al’s is all the way over on the east side of Vancouver which is really on the other side of the Columbia River in Washington and the MAX doesn’t go there.

Hey look! Portland Rose Hospital is really OHSU (Oregon Health and Science University). How clever is that?! There’s the tram lobby. I’ve actually sat in those chairs! How cool is that! The first time there was a shot of Mt. Hood, I shit you not, I saw a guy in my row actually point at the screen and say Mt. Hood, as if we didn’t know that because we’re all not really from Portland, where on clear days you CANNOT miss seeing the mountain, it’s right there.

I’m poking fun. Seriously, I have to admit I was just as much a dork about it as the rest of the people in the theater. I just didn’t go pointing at the screen every five minutes like that other guy. No, I whispered locations in The Fetching Mrs’ ear, instead. I guess it’s because movies aren’t filmed here very often, we get all exciting looking for our favorite spots. Even when the plot involves Portland the movie is made elsewhere, like Shreveport, LA (Mr. Brooks, I’m talking to you).

This movie had Portland all over it and it looks like they shot it in early to mid summer, really catching the area’s good side. Everything was lush and green and the sky was that intense, deep blue I’ve not seen anywhere else. I really felt proud to live here.

If that makes me a dork, I can live with it.

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Review: Ensign Flandry by Poul Anderson

Ensign Flandry: The Saga of Dominic Flandry 1 Ensign Flandry: The Saga of Dominic Flandry 1 by Poul Anderson

Ensign Flandry  The Saga of Dominic Flandry 1

I’m not sure how this one slipped through the cracks for me. I’ve read a fair bit of Anderson in my youth. Most notably his Time Patrol stories and his Psychotechnic League stories.

I picked up a paperback copy of Ensign Flandry at Camerons’s Books in Portland, OR. If you live there, or are passing through, Cameron’s is a bibliophile’s used book store erotic dream. Southeast of the larger and infinitely more well known Powell’s books, which also sells used books and could arguably be called a bibliophile’s screaming orgasm, Cameron’s is Powell’s hot younger sister.

The plot of this one caught me by surprise. When I saw it on the shelf, I wanted to read it because the Flandry series had a large influence on one of the biggest roleplaying games of my youth, Traveller. Anderson’s terse writing style lulled me into thinking this would be a textbook example of space opera, a homage to E.E. Smith.

It is that, surely. And it has all the attendant qualities of good space opera: a handsome young idealistic hero who can fight his way out of any scrape; exotic, sexy aliens with a beautiful, sexy female leader with the hots for our hero; and bad guys who have nothing but malice for the good guys and a plethora of evil plans with which to exercise that malice.

Well, that view lasted until about Chapter 3 where Anderson introduces quite a bit of ambiguity into the setup. The Terran Empire is in conflict with the Merseian Empire on the planet Starkad, using the two dominant sentient races as proxies. The story gets complex and Anderson deftly weaves layers of intrigue and politics into the story. He wrote this one in 1966 and it became clear to me that, on one level, the story can be seen as an allegory for the Vietnam War.

This one is a page turner and when it ended, I was left very pleasantly surprised and hungry to read the rest of the books in the Flandry series.

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Ghosts are alive and well in San Francisco

This film shot on a moving trolley down Market Street in 1906 is mesmerizing. It looks as if the air pressure is less than it is today. That’s an artifact of the primitive film of the day, surely, but it provides a nice tone that draws you in.

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Linkage

Just wanted to put up this link so I can find it again. It was provided to me by a like-minded co-worker. By that I mean, he is a lover of freedom and liberty as I am. I’m reading the link and I’m just dumbfounded at the stupidity. I read this shit and I want to scream.

Anyway, the link describes what will happen to the working poor in this country as a result of the employer mandated healthcare provision.

Posted in civil liberties, creaping socialism, daily | Tagged , | Comments Off