The Fetching Mrs. Bixby and I went to the Hall & Oates concert at the Arlene Schnitzer Concert Hall last night. She’s a big fan. Me not so much, mostly because I’ve never been a big fan of Adult Contemporary pop music in my youth. My tastes run more to Led Zeppelin and The Rolling Stones, while hers has always been firmly in the Adult Contemporary / smooth jazz camp.
Not that there’s anything wrong with that. As I’ve gotten older, my musical tastes have broadened considerably and music from the Rat Pack, Dave Brubeck, and Diana Krall (oh yes, the lovely Diana Krall. Elvis Costello is one lucky man) share space on my iPod with AC/DC, Led Zeppelin, the Rolling Stones and The Who, as well as contemporary rock acts such as Train, Matchbox Twenty, The Vines and Franz Ferdinand, not to mention the large chunk of roots reggae and dub — this could rapidly devolve into a post about what’s on my iPod, putting you all to sleep immediately.
Anyway, when tickets went on sale a few months ago, she was all excited and asked if I’d go with her. I said yes, of course. With age comes wisdom of sorts and I now recognize Hall & Oates place in the pantheon of good music. I figured I’d be in for a good show, especially since the wife splurged and got us seats in the second row.
There was no opening act, thank the gods, the show started promptly at 7:30. We were a little to the right of center and could see a bit of the back stage left wings. A few minutes before the show started, I could see Daryl Hall standing there, quietly strumming a guitar. So could the women all around me. Several of them started yelling to him, offering up their vaginas and other body parts, not to mention the expected bits of undergarments. I looked around at this and realized the female to male ratio was quite high. In hindsight I wasn’t surprised by this, given Daryl Hall’s hottie factor. Frankly, the dude is smoking even at his age of 61, looking and acting like a man 30 years younger. Clearly, he’s still got it, drawing women to the show like sumo wrestlers to an all you can eat sushi bar. When I asked Sally if she saw him in the wings, she said, and I quote, “Oh yeah, that’s working for me.”
So, the boys walk on stage and the crowd goes nuts, everyone jumps up, many holding hand-made signs with song titles. Hall starts singing ‘Maneater’ and I felt a wave of energy roll over me as several thousand women hit an orgasm at the exact same time. For the next 45 minutes, it’s nothing but requests as Daryl and John decide which song to play by which sign has a song that strikes their fancy at that moment. The band is tight, jumping into whatever song is chosen. At one point, Daryl announces that every show is recorded, we are all part of the show, and we can purchase cds of shows in the lobby later. Jerry Garcia would be proud, they have their own form of show taping going on.
They play for the next two and a half hours, the energy is infectious. Hall sings with a big shit eating grin on his face the whole time. He’s feeding off all that female energy and you know at this moment he is the happiest guy on the face of this earth and if asked, would tell you he has the best job anywhere. Looking at him, I could not help but feel a bit jealous. He clearly loves what he does and gives back to the audience an energetic performance. While he might not be able to hit the highest notes, he’s still got soul in that voice. John is a rock, not as demonstrative as Daryl, but you can tell he’s loving it on stage because he’s got this little smirk as he plays. The rest of the band is solid, clearly loving it. The sax player made everyone happy several times with well-played solos. He struck me as an odd duck, not just because of his purple suit, but because he looked exactly like FDR with long hair.
They were pop perfect, playing every hit. They give two encores. We left the show satisfied we got our money’s worth and I left feeling like I’d seen a bit of pop history and was the better for it.